by CU Newswire | Aug 15, 2026 | Style Life
In this week’s story, a newly open marriage experiences growing pains.
by CU Newswire | Aug 15, 2026 | Culture Pop!
“‘What are they rapping about?’ ‘Well, devil worship.’”
by CU Newswire | Aug 15, 2026 | Yesteryear
Although best known as a leading figure of French humanist photography, Sabine Weiss (1924–2021) also created refined and elegant fashion images during the 1950s.
After assisting German fashion photographer Willy Maywald in Paris in the late 1940s, Weiss developed a distinctive approach that combined clean composition, soft natural light, and a subtle sense of movement. Working for magazines such as Vogue and other publications, she photographed models and haute couture with the same sensitivity she brought to her street photography.
Her fashion work captures the understated glamour and quiet sophistication of postwar French style, revealing a more intimate and human side of the era’s elegance. These graceful photos showcase Sabine Weiss’s rare ability to blend fashion, atmosphere, and humanity into images of timeless elegance.
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| Elinor in cherry-red maillot from Chez Franck et Fils, Bettina Graziani in blue maillot from Chez Anne-Marie Bazille, photo by Sabine Weiss, Vogue, Paris, July/August 1953 |
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| Capucine wearing a black taffeta dress, low off the shoulders, the skirt is straight in front fitted with large pleats on the sides and in the back by G. d’Ariaux, photo by Sabine Weiss, Vogue, Paris, November 1954 |
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| Capucine wearing a black velvet suit with a removable white fox collar by Max Mozès, hat by Florence, photo by Sabine Weiss, Vogue, Paris, November 1954 |
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| Marie-Hélène Arnaud wearing a knit sweater by Bettina, skirt and vest by Rosine Robin both at Chez Jean Damien, photo by Sabine Weiss, Vogue, Paris, November 1954 |
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| Model in a softly draped sweater off the shoulders by Korrigan Lesur with an ottoman skirt belted with black velvet bow with two streamers by Fath-Université, jewelry by Casty, at Chez Milon, photo by Sabine Weiss, Vogue, Paris, November 1954 |
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by CU Newswire | Aug 15, 2026 | Yesteryear
When 26-year-old Wendy Hiller took on the role of Eliza Doolittle in the 1938 film adaptation of George Bernard Shaw’s
Pygmalion, she was personally handpicked by Shaw himself. Shaw had seen her brilliant stage performance as Eliza at the Malvern Festival in 1936 and insisted that no one else play the Cockney flower girl on screen.
Filmed at Pinewood Studios under the direction of Anthony Asquith and co-star Leslie Howard (who played Professor Henry Higgins), the production was a milestone in British cinema. Shaw kept a close eye on the adaptation, even contributing new dialogue and scenes specifically tailored for the film medium, including the famous ballroom scene and Eliza’s phonetics lesson sequence (“The rain in Spain…”).
The film made cinematic history when Hiller uttered Eliza’s iconic line, “Not bloody likely!,” breaking taboos around profanity in mainstream English-language film at the time. This production set the standard for future adaptations of Shaw’s play, most notably serving as the direct structural and narrative blueprint for the 1956 theatrical musical My Fair Lady, which in turn led to the 1964 film of the same name.
In stark contrast to her character’s early look, set photographs show Hiller transformed into an aristocratic figure, wearing an exquisite white gown and tiara for the grand ballroom sequences. Her fierce, grounded portrayal earned her an Academy Award nomination for Best Actress, making her the first British actress to receive a Lead Actress Oscar nomination for a British film.
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by CU Newswire | Aug 15, 2026 | Yesteryear
John William Waterhouse (1849–1917) was an English painter celebrated for his richly atmospheric depictions of classical mythology and literary subjects.
Closely associated with the later Pre-Raphaelite tradition, Waterhouse is best known for iconic works such as The Lady of Shalott, Hylas and the Nymphs, and multiple versions of Ophelia. His paintings often feature beautiful, enigmatic women set in dreamlike landscapes, combining meticulous detail with a soft, romantic atmosphere.
With his mastery of color, composition, and storytelling, Waterhouse remains one of the most beloved artists of the Victorian era. These timeless artworks showcase John William Waterhouse’s poetic vision and enduring mastery of myth, beauty, and romantic narrative.
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| A Tale from Decameron |
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| Ariadne |
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| A Flower Stall |
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| A Mermaid |
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| Boreas |
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