A Long Table Talk With the Boys of The Vampire Lestat
Sam Reid, Jacob Anderson, and Assad Zaman on the season finale: “There’s a lot left to unpack and revisit.”
35 Stunning Fashion Portraits of Jessica Patton Barkentin in the 1940s
Jessica Patton Barkentin was a prominent fashion model of the mid-20th century, epitomizing the refined elegance and quiet sophistication of the 1940s and ’50s. She frequently collaborated with legendary photographers of the era, such as Genevieve Naylor and Louise Dahl-Wolfe, appearing in prestigious publications like Harper’s Bazaar.
Known for her classic features, poised demeanor, and ability to breathe life into structured postwar garments, Barkentin remains a timeless icon of vintage fashion photography, capturing the graceful essence of an unforgettable era in haute couture. These stunning vintage photos capture portraits of fashion model Jessica Patton Barkentin in the 1940s.
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| Jessica Patton Barkentin in natural silk shantung suit with wide-brimmed hat, photo by John Rawlings, Vogue, 1942 |
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| Jessica Patton Barkentin wearing a pink and black linen skirt and black top, photo by John Rawlings, Vogue, 1942 |
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| Jessica Patton Barkentin wearing dark hand-knitted sweater, gray kidskin pants, black belt and pink scarf and pin, photo by Horst P. Horst, Vogue, 1942 |
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| Jessica Patton Barkentin in green high-waisted slacks, black top worn with pink jacket, photo by John Rawlings, Vogue, January 1, 1943 |
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| Jessica Patton Barkentin is wearing a Pacific Mills 100% wool coat by Falkenstein, photo by Horst P. Horst, Vogue, March 1, 1943 |
30 Photos of Diana Rigg in the 1970s
Diana Rigg (July 20, 1938 – September 10, 2020) was a British actress celebrated for her elegance, wit, versatility, and striking beauty. During the 1970s, Rigg transitioned from her 1960s pop-culture stardom into a highly respected, versatile actress across Hollywood films, American television, and prestigious West End and Broadway stage productions. After rising to global fame as Emma Peel in The Avengers and starring as Tracy Bond in the 1969 film On Her Majesty’s Secret Service, she spent the 1970s shedding her “action girl” stereotype. She established herself as a powerhouse of both classical drama and sharp comedy.
She starred alongside George C. Scott in The Hospital (1971), the critically acclaimed satirical film which earned her a Golden Globe nomination. She made her Broadway debut in Abelard & Heloise (1971) and later starred in the acclaimed staging of Who’s Afraid of Virginia Woolf?. Rigg starred with Vincent Price in the cult-classic British horror-comedy Theatre of Blood (1973), which both actors frequently cited as one of their favorite films.
She moved to the United States to headline her own NBC sitcom, Diana, playing an English divorcee adjusting to life in New York. She showcased her musical talents by starring in the film adaptation of Stephen Sondheim’s famous musical, A Little Night Music (1977).
Behind the scenes, Rigg was fiercely independent and openly critical of the demanding nature of Hollywood commercialism. When her American sitcom Diana failed to attract a large audience and was canceled after 13 episodes, she openly expressed relief, calling the experience “shitty” and noting that she dreaded the absolute commitment required by standard studio contracts.
On a personal front, she married Israeli painter Menachem Gueffen in 1973, though the marriage ended in divorce in 1976. Throughout the decade, she regularly appeared on British talk programs like the BBC Parkinson Interviews, where she charmed audiences with her sharp wit, level-headedness, and pride in her working-class Yorkshire upbringing.
Blondie Photographed by Ian Dickson on Oxford Street, London, 1977
In May 1977, Blondie arrived in the UK for their first-ever British tour, supporting Television. Renowned music photographer Ian Dickson captured the band during a casual promotional stroll down London’s busy Oxford Street. Rather than a staged studio session, Dickson captured candid, gritty street-level portraits that perfectly matched the band’s burgeoning punk and new wave energy.
During the walk, the band popped into a traditional London shoe shop. Dickson captured this striking, intense portrait of Debbie Harry resting in a chair, framed perfectly by stacks of shoe boxes. Her iconic platinum hair and cool composure contrast sharply with the mundane, everyday retail backdrop. He also photographed the band members gathering outside the storefronts. These images capture the raw, effortless style of the era, just as Blondie was on the cusp of exploding into global superstethers.
When these photos were taken, Blondie was still an underground phenomenon in the UK. Within a year of this promotional tour, their breakout album Parallel Lines would propel them to the top of the British charts, making moments like a quiet shoe-shopping trip on Oxford Street a thing of the past.
1957 Dual-Ghia Convertible: Rare Glamour of the Hollywood Elite
The 1957 Dual-Ghia Convertible was one of the most exclusive and glamorous automobiles of the 1950s. A collaboration between American Dual Motors and Italian coachbuilder Ghia, it combined a powerful Chrysler V8 engine with elegant, handcrafted Italian bodywork.
Only around 117 units were ever produced, making it an ultra-rare collector’s car. With its sleek lines, luxurious interior, and convertible design, the Dual-Ghia became a favorite among Hollywood’s biggest stars, including Frank Sinatra, Dean Martin, and other members of the Rat Pack.
These beautiful photos perfectly capture the rare glamour and sophistication of the 1957 Dual-Ghia Convertible. Its timeless Italian-American design continues to fascinate collectors and classic car enthusiasts to this day.
