Greta Gerwig Had a Good Reason to Cast Meryl Streep as Aslan
“I wanted someone who was older than 70, so there was a wisdom of experience, but who also had the capacity of fresh wonder, like a child.”
Marisa Solinas: The Golden Face of 1960s Italian Cinema and Song
Marisa Solinas (1939–2019) was an Italian actress and singer who became one of the bright faces of 1960s Italian entertainment.
Born in Genoa, Solinas rose to prominence after being cast by Mario Monicelli in the Renzo e Luciana episode of Boccaccio ’70, and the same year appeared in Bernardo Bertolucci’s debut film La commare secca. Over the decade, she starred in numerous films, including comedies and Spaghetti Westerns, while also pursuing a career as a singer.
With her striking looks and lively presence, Solinas embodied the vibrant spirit of Italian popular culture during the 1960s. These vintage photographs capture the beauty, charm, and golden-era presence of Marisa Solinas, a memorable face of 1960s Italian cinema and song.
30 Vintage Portraits of Carole Lombard and Fred MacMurray From “True Confession” (1937)
These vintage portraits capture Carole Lombard and Fred MacMurray during the making of the 1937 screwball comedy True Confession.
Shot on set and in promotional sessions, the photographs highlight Lombard’s sparkling charm and MacMurray’s easygoing presence as the pair worked together in one of the era’s lighthearted romantic comedies.
With their natural chemistry and classic 1930s style, the images offer a lively glimpse into the filming of a film that showcased two of Hollywood’s most appealing stars at the height of the screwball tradition.
Amazing Photographs of Liam and Noel Gallagher of Oasis Taken by Kevin Cummins in 1994
In 1994, legendary British music photographer Kevin Cummins captured a series of raw, intimate, and now-iconic photographs of Liam and Noel Gallagher. Taken just before and during the release of Oasis’s groundbreaking debut album, Definitely Maybe, these photos defined the visual mythos of the Gallagher brothers and the rise of Britpop. Rather than highlighting their infamous sibling rivalry, Cummins’s early archive emphasizes an unguarded brotherly bond, humor, and a shared, defiant confidence.
“I thought it would ne a nice idea to do their first year, which gives it a good narrative flow,” said Cummins, “I was commissioned by Creation to see how their visual identity would work best, but by the end of the year they were the property of the tabloids.
“Creation thought there wouldn’t be any antagonism if they brought in a photographer who was from Manchester and supported City.”
Shot in their hometown of Manchester right around the time Definitely Maybe hit the shelves, these street portraits capture the duo against everyday urban backdrops. Notable locations included standing outside the historic Peveril of the Peak pub and posing directly on Portland Street.
In one of the most culturally resonant shoots of the era, the Gallagher brothers proudly leaned into their Manchester roots by posing together wearing the official Manchester City 1993/1994 football kits.
“We did some shots inside in the studio, with one behind the other so that you’d have brother reading above theirs heads on the shirt. Then we did some other shots where Liam jumped on Noel’s back as if we’d just scored a goal, which is quite rare in these days.
“Then we went outside and they played football in the street and then kicked the ball at Noel. Noel kicked it back at him and they tried to punch each other. We just waited for that to finish and then carried on doing pictures.
“I think it’s an era-defining session that because football wasn’t fashionable at the time. Here’s these lads playing football and linking themselves to Man City with brother all over the shirt… everything fell into place really with that session and that picture where Liam is on Noel’s back has been on about 200 magazine covers.”
Kevin Cummins (born 1953) is one of Britain’s most celebrated music and portrait photographers. He is best known for creating the definitive visual record of the Manchester music scene and the rise of Britpop. Over a career spanning five decades, his bleak, cinematic, and raw style helped establish the mythos of some of the world’s biggest rock bands.
Two Studio Portraits of Katie Roubideaux, ca. 1898
Katie Roubideaux (1890–1991), also known later in life as Kate “Ta Sina Sapawin” Roubideaux Blue Thunder, was a Brulé Lakota (Rosebud Sioux) woman whose long life spans a profound era of Native American history.
Born on the Rosebud Reservation in South Dakota, she became widely recognized in historical records due to famous studio portraits taken by photographer John Alvin Anderson in 1898, when she was just eight years old. In the photographs, she is depicted wearing a traditional decorated and fringed skin dress, beaded leggings, and moccasins while holding a doll.
She was the daughter of Louis Roubideaux and Adelia Blunt Arrow. Her father was a notable figure on the reservation, serving as the official U.S. interpreter in the late 1880s and at one point acting as the captain of the Indian Police.
Katie lived to be 100 years old, passing away on May 13, 1991. Because her life spanned a full century, she witnessed an extraordinary transition in America and for her people.
Born just fourteen years after the Battle of the Little Bighorn, she grew up during the harsh boarding school era. At age 14, she attended the St. Francis Mission school. Despite living through times when Native languages and traditions were aggressively banned by the government, she held onto her Lakota heritage, keeping songs, stories, and ceremonies alive.
Over her lifetime, she saw the shift from horses to automobiles, lived through both World Wars and the Great Depression, and watched major events like the 1969 moon landing and the 1973 Wounded Knee Occupation.
In her adult life, she was known affectionately to her community as “Granny Kate.” She was married three times, to Henry Knocks Off Two, Phillip Marshall, and later David Blue Thunder, and dedicated much of her life to raising her six children and many grandchildren. She was remembered for living a simple, traditional life, sewing clothes from homemade patterns, and always maintaining a strong Lakota spirit.