In the 1980s, Keaton emerged as one of Hollywood’s most versatile and charismatic actors, moving from comedy to drama and eventually into blockbuster stardom. The decade was pivotal for him, showcasing his unique blend of manic energy, quirky humor, and a surprising capacity for dramatic depth.

Keaton began the decade with his breakout role as the high-energy, fast-talking Bill Blazejowski in the 1982 film Night Shift. This role, alongside Henry Winkler, showcased his improvisational skills and set the tone for his early career. He solidified his comedic stardom with the massive success of Mr. Mom (1983), in which he played a laid-off engineer who becomes a stay-at-home father. This film cemented his image as an affable, relatable everyman, a typecasting he would later actively try to break. Other notable 1980s comedies include Johnny Dangerously (1984), a gangster spoof, and Gung Ho (1986), which explored cultural clashes in a car manufacturing plant.

Below is a selection of 30 photos of a young Michael Keaton in the 1980s:

CUPS OF CHEER FROM THE BAND

IMAGINE the problem. The birthday boy has everything under the sun.

He’s world famous, he’s a millionaire, and he’s also a king-sized extrovert.

He also loves a joke like the next man.

He is rock superstar Freddie Mercury.

And the only guys who can hold a candle to him are his mates in Queen, Roger Taylor, John Deacon and Brian May.

Yesterday they presented him with a cake you probably wouldn’t see on display at the local bakery.

Her appearances ranged from striking magazine covers—such as Vogue’s November 1, 1951 issue shot by Clifford Coffin—to fashion editorials featuring designer pieces by Balenciaga, Adele Simpson, Traina-Norell, and Jo Copeland.

Janet Randy’s work beautifully embodies the grace, poise, and polished glamour of 1950s fashion. Take a look at these stunning photos to see the timeless beauty and elegance of Janet Randy in the 1950s.

“It was a fashion occasion,” Armani recalled. “GFT [the Italian clothing manufacturer] was opening a new showroom. I received an invitation from Andy to represent the fashion scene-and with several others, including [designer] Mariuccia Mandelli, I accepted. Andy stopped me in a corridor for 10 seconds and took a photo to work off of, and when the final portrait was bought by GFT, he made quite a lot of money! Andy Warhol was a genius at marketing himself. Marco Rivetti [the CEO of GFT] sent one of the portraits to me as a gift sometime later. It is now hanging in my office. Years ago, Andy Warhol and I spent an evening together visiting a variety of New York nightspots. Even though I didn’t speak any English, he wanted me to accompany him so that he could introduce me to the city’s night scene. I have very fond memories of my time with him.”

You can see what Andy saw: It’s Armani before the global empire, but already pure elegance: soft blazer, sharp cheekbones, that just-woke-up-and-designed-a-masterpiece energy. In an interview, Armani was asked what he thought his Warhol portraits captured. He responded, “I think that he wanted to portray me as an icon. That is what Warhol portraits do: They elevate the subject into an icon of the pop culture he was documenting. These days, as I am older and wiser, I realize that there is a danger in becoming an icon, as people can see you as remote and untouchable, and they are less willing to tolerate you doing things that don’t fit with their preconceived idea of you.”

Mangold studied at the Munich Academy of Fine Arts and later returned to Switzerland, where he built his career as a painter and printmaker. His poster work stood out for its bold use of color, simplified forms, and strong visual impact—qualities that made his designs both artistic and highly effective for advertising.

Aside from posters, Mangold also created murals, stained glass, and paintings, many of which drew inspiration from Swiss landscapes, folk traditions, and everyday life. His work contributed to the rise of graphic design as a respected art form in Switzerland, influencing later generations of artists.

Today, Burkhard Mangold’s posters are regarded as important examples of early 20th-century Swiss graphic design, celebrated for their timeless style and artistic innovation. Here is a collection of Burkhard Mangold’s remarkable works that showcase his pioneering role in Swiss poster art.

Armani died at home, “peacefully, surrounded by his loved ones,” the fashion house said. “Indefatigable to the end, he worked until his final days, dedicating himself to the company, the collections and the many ongoing and future projects,” the fashion house said in a statement.

David Swenson, who worked in a data center in New York City, was taking weekly time-lapse photos of a new building under construction across the street. He used the Twin Towers to frame his shots, providing a consistent reference point.

“Tuesday morning at 8:45am I was in our data center taking pictures of our new building going up across the street,” said Swenson. “I had been taking a few pictures each week, using the Twin Towers to frame/align all the shots evenly so I could later make a time lapse video of the new 30 story building’s construction.”

“After taking the shot I see a large plane flying south right over the Hudson River. For a moment I thought what a great shot I’m about to get, then American Airlines Flight 11 suddenly rolls into a left bank of about 40 degrees. The impact came about a second later, and I can’t believe what I’m seeing. After shooting a few more pics I run to the hall where I meet up with a few of the building engineers and we head up to the roof for a better view. The scene is surreal, and after watching United Flight 175 circle around and fly into the South Tower everyone began to realize we were under attack. We kept looking around for the next plane and my knees began to go weak. I will never EVER forget that image of American Airlines 11 rolling left and striking the North Tower. To this day, I’m still somewhat startled when looking up at a plane overhead.”

Powered by a range of V8 engine options paired with manual or automatic transmissions, the 1958 Corvette combined sleek design with impressive performance. Its convertible top added to its appeal as a stylish open-air cruiser, perfect for the booming car culture of late 1950s America.

Today, the 1958 Corvette Convertible is highly prized among collectors as one of the most iconic early Corvettes. These stunning photos highlight the chrome details, sweeping curves, and raw American power that made the 1958 Chevrolet Corvette Convertible a timeless classic.

Early versions were simple lorgnettes without handles, designed to rest lightly on the nose. At first, they were often associated with scholars, clergy, and the upper classes, as spectacles in general still carried social stigma.

By the mid-1800s, pince-nez had become widespread across Europe and America. They were prized for their compactness—easy to slip into a pocket or hang from a ribbon or chain. They became especially common among professionals, academics, and politicians. Mark Twain, Anton Chekhov, and Theodore Roosevelt all wore pince-nez, helping solidify their intellectual and dignified image.

Around 1900–1920, pince-nez began to decline in favor of modern spectacles with sidearms (temples), which were more stable and comfortable for active use. By the 1930s, they were considered old-fashioned and often caricatured in popular culture as a symbol of fussy intellectuals or stern authority figures.

Today, pince-nez are rare but remembered as an iconic style of eyewear associated with the Victorian and Edwardian eras. They still appear in historical dramas and period films, and vintage pairs are collectible. Some opticians even make modern reproductions for enthusiasts.