Yesteryear

Erik Braagaard: Milliner to the Elite

Erik Braagaard: Milliner to the Elite

Erik Braagaard (1912–2004) was a prominent Danish milliner and hat designer known for dressing some of the world’s most affluent women. He began his career in Paris before eventually emigrating and establishing a successful hat salon in New York City around 1940.

Braagaard became highly regarded in the fashionable district around Fifth Avenue, opening salons on West 57th Street and later East 53rd Street. His unique, high-fashion creations were often featured in the society and style pages of the time. The Metropolitan Museum of Art holds several of his hats, highlighting his place in fashion history. His clientele included numerous members of high society and royal families, showcasing his transition from a Danish designer to a sought-after name in the exclusive world of American couture.
Braagaard continued his work, sometimes collaborating with designers like Adolfo Sardinia, until his death in New York in 2004. These vintage photos capture portraits of classic beauties wearing hats designed by Erik Braagaard.
Model wearing a charming bonnet of pink felt swathed in pink chiffon by Erik, photo by Frances McLaughlin, Vogue, March 1948

Barbara Mullen in shapely jacket, fitted and belted and curved for wide skirts in Russian broadtail by Ritter, a winging side-set white felt cloche by Erik, photo by Richard Rutledge, Vogue, March 1948

Betty Bridgers wearing a hat of pink, blonde and green tulle by Braagaard, jewelry by Tiffany, photo by Louise Dahl-Wolfe, Harper’s Bazaar, June 1948

Pat O’Reilly in charming gray-and-white spotted sundress with matching bolero by Frederic Starke, broderie Anglaise cloche by Erik, photo by Jay at the Villa Borghese, Harper’s Bazaar UK, May 1949

Pat O’Reilly in classic plaid cotton shirtwaister by Dorville and piqué boater by Erik, photo by Jay at St. Peter in Rome, Harper’s Bazaar UK, May 1949

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Before Commercial Airplanes Were Pressurized, Passengers Required Oxygen Masks at High Altitudes

Before Commercial Airplanes Were Pressurized, Passengers Required Oxygen Masks at High Altitudes

Before pressurized cabins changed aviation forever, flying high was a serious and risky business. In the 1930s, commercial aircraft reaching altitudes of 10,000–12,000 feet (about 3,000–3,600 meters) didn’t have the technology to maintain breathable air pressure inside the cabin. So how did passengers survive the thin air? They wore bulky oxygen masks for the entire flight, and yes, it looked as dramatic as it sounds.

In the 1930s and early 1940s, cabins were not sealed or pressurized, so flying above 10,000–12,000 feet meant passengers and crew were exposed to dangerously thin air and low oxygen levels (hypoxia). Photos at the time show passengers wearing prominent, often bulky, face masks made of rubber or fabric. They resembled early military aviation masks more than the small, modern emergency masks. These were connected via a tube to an onboard, manual oxygen supply system. Oxygen usually flowed continuously, which could be inefficient and contribute to frost accumulation in cold cabins.
A major innovation in the late 1930s was the Boothby-Lovelace-Bulbulian (BLB) mask, developed at the Mayo Clinic in 1938. This was a more effective oronasal (covering both nose and mouth) mask design that reduced oxygen waste and was quickly adopted by the military and airlines. It was more comfortable and reliable than earlier “pipe-stem” devices or ill-fitting masks.
Oxygen mask technology improved significantly during World War II, with advancements like the A-14 mask (an enhancement of the BLB mask) that incorporated automatic diluter-demand systems for more efficient oxygen use, primarily for military pilots.
The early 1940s marked a pivotal transition with the introduction of the first commercial airliners featuring pressurized cabins, such as the Boeing 307 Stratoliner in 1940. This technological leap allowed aircraft to maintain a comfortable, near-sea-level cabin environment at high altitudes, making routine oxygen mask use obsolete for passengers.
The need for passengers to routinely wear oxygen masks disappeared as pressurized airliners became more common. Oxygen masks transitioned from standard equipment to the emergency backup systems we know today, used only in the event of a sudden loss of cabin pressure.

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Candid Snaps of Elvis Presley and Girlfriend Linda Thompson in Cars in the 1970s

Candid Snaps of Elvis Presley and Girlfriend Linda Thompson in Cars in the 1970s

Linda Thompson was Elvis Presley’s girlfriend for four and a half years, from July 1972 to December 1976. They met at a private movie screening Elvis hosted in Memphis shortly after his separation from Priscilla Presley.

Linda, who was Miss Tennessee Universe in 1972, quickly moved into Graceland with him. Their relationship was intense, with Linda often taking on a caretaker role due to Elvis’s increasing struggles with prescription drug abuse.
Despite their deep connection, their relationship ended in late 1976, partly due to his escalating drug use and infidelities, as Linda sought a more stable and “normal” life. They remained on good terms until his death in August 1977. Linda Thompson has since shared details of their time together in interviews and her memoir, A Little Thing Called Life.

These candid snaps of the couple in cars taken by fans and paparazzi during their dating days in the 1970s, as shared by Thompson on her Instagram: “I decided to throw together some photos of Elvis and me together in cars… Sometimes going in or out of Graceland… Sometimes going to or from concerts. It was our dance… So long ago, but such rarified memories last a lifetime.”

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50 Amazing Photos Capture Everyday Life in Japan During the Early 1900s

50 Amazing Photos Capture Everyday Life in Japan During the Early 1900s

At the dawn of the 20th century, Japan stood at a crossroads between tradition and modernity. The country, emerging from the transformative Meiji era (1868–1912), was rapidly industrializing while still holding fast to its centuries-old customs. Steam trains ran alongside rickshaws, Western architecture appeared beside wooden machiya houses, and men in bowler hats walked past women in silk kimonos — a striking fusion of two worlds.

The early 1900s were a period of ambition and reinvention. Japan sought to establish itself as a global power, embracing modern science, education, and technology, while artists and craftsmen continued to preserve the grace of traditional aesthetics. Photographs from this era capture that delicate balance — the quiet beauty of tea houses and temples coexisting with the steel of new railways and the hum of modern cities.
These amazing photos offer a rare glimpse into everyday life in Japan in 1904.

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In November 1976, John Lennon Visited Singapore on a Private Trip, Staying Five Days Under a Pseudonym “John Girskin”

In November 1976, John Lennon Visited Singapore on a Private Trip, Staying Five Days Under a Pseudonym “John Girskin”

In November 1976, John Lennon arrived in Singapore without fanfare. To avoid fans and the press, he checked into the Hyatt Hotel on Scotts Road under the pseudonym “John Girskin.” He stayed alone for five days and reportedly gave strict instructions to the hotel not to disclose his stay.
During his five-day stay, he was mostly holed up at the hotel, where he wrote postcards to friends and family. He also ventured out for some shopping. According to one account, he was “just trying to do average things, like an average person.” He later mentioned in a Rolling Stone interview that his travels during that period took him to Singapore, South Africa, Hong Kong, and Bermuda.
John Lennon at a bar in Bugis, Singapore in 1976.
Despite his efforts to remain anonymous, Lennon was recognized by a fan while shopping at the old Metro Golden Mile department store (which no longer exists today). The fan was a Singapore Airlines flight stewardess named Jzenea Foo. She approached the tall man she thought looked familiar and asked if he was John Lennon. When he confirmed, she was able to quickly ask a friend who was with her to take a picture.
“I was shopping with a friend when I saw a tall man at one of the counters,” Jzenea recalled. “I thought he looked extremely familiar, so I went up to him and asked him if he was John Lennon. When he said ‘yes’ I was so excited. I almost lost my voice, but very quickly I asked my friend, who was carrying a camera, to take a picture of us. He was very nice about it and obliged by going to a corner for a photo.”
“Later when he was going down by the escalator, my friend and I were behind him. He turned around and asked, ‘Are you following me?’ I think he was afraid of being seen by the public,” said Jzenea.
Jzenea Foo pictured with John Lennon, 1976.
The encounter was later reported in the now-defunct Singapore newspaper New Nation on December 11, 1976, under the headline, “The day S’pore Girl ‘caught’ Lennon shopping at the Metro…”
It was also noted that Lennon had kept his hair short enough, which was fortunate, as Singapore at the time had a well-known “Operation Snip Snip” government campaign against men with long hair. Other musicians, such as Kitaro and Led Zeppelin, were reportedly denied entry unless they cut their hair.
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NYC Window Displays in the 1980s: Art, Fashion, and the City’s Electric Glamour

NYC Window Displays in the 1980s: Art, Fashion, and the City’s Electric Glamour

During the 1980s, New York City’s window displays became dazzling theaters of fashion, fantasy, and consumer desire. Department stores like Bergdorf Goodman, Bloomingdale’s, and Saks Fifth Avenue transformed their street-facing windows into vibrant, ever-changing art installations — each one a reflection of the decade’s bold creativity and extravagance.

Neon lights, mirrored surfaces, and dramatic styling captured the essence of the era — a time when retail was spectacle and display artists were storytellers. The mannequins wore power suits, sequins, and statement accessories, set against backdrops of surreal cityscapes or geometric pop designs. Even small boutiques in SoHo joined the visual competition, using their windows to express individuality and edge.
These vintage photos of 1980s NYC window displays, taken by Diane Worland, preserve the glamour and audacity of a time when the city’s storefronts were more than just places to shop — they were reflections of art, ambition, and the irresistible energy of New York itself.

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Tourists Take Tea Atop the Great Pyramid, 1938

Tourists Take Tea Atop the Great Pyramid, 1938

In the late 19th and early 20th centuries, before stringent protective measures were implemented by the Egyptian government, it was common—and often expected—for visitors to climb the Great Pyramid of Giza. Tourists, who were primarily wealthy and aristocratic, were often assisted by local guides who made the ascent easier.

The specific photo shows a group, including what appear to be wealthy Western tourists and their Egyptian guide/attendant, enjoying a relaxed moment at the pyramid’s flat summit. The man on the right is sunbathing, while the others are gathered around a small table for tea. This practice highlights the casual, almost picnic-like way some tourists treated the monument, viewing it as a sightseeing challenge rather than a strictly protected archaeological monument.
This kind of activity is strictly forbidden today. The practice of climbing the pyramids was eventually banned because of safety concerns, damage to the ancient stones, and to preserve the sacred nature of the site.
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Amazing Vintage Photographs of People Making Apple Butter in the United States From the Early 20th Century

Amazing Vintage Photographs of People Making Apple Butter in the United States From the Early 20th Century

Apple butter is a concentrated form of apple sauce. It’s made by slow cooking peeled and cored apples with cider until they caramelize. Tart apple varieties usually require a little sweetening, like sorghum or molasses.
Apple butter’s roots can be traced to the Middle Ages in monasteries in modern-day Belgium, Germany, and the Netherlands. With large orchards, monks needed a way to preserve their abundant apple harvest, and simmering the fruit down into a thick spread was a perfect solution. The name “butter” comes not from dairy, but from the spread’s soft, thick, butter-like consistency.
German immigrants, including the Pennsylvania Dutch, brought their tradition of making apple butter to America in the 17th century. This was a practical way to preserve fruit in a time before refrigeration.
Making apple butter was a laborious task that became a community or family-wide social event, especially in the American South and Appalachia. Families would gather in the fall to prepare large quantities in copper kettles over open fires.
The work was so demanding that it became a social event called an “apple butter frolic.” The apple mixture is boiled in a large kettle over an open fire and family members take turns constantly stirring the mix with long handled wooden paddles. The deep brown buttery textured sauce is usually flavored with cinnamon, cloves, or other spices. Four or five bushels of apples yield a gallon of apple butter, which is sealed into jars. When it’s time to eat, it’s spread on buttered toast, added to baked goods, and used as a side dish or topping. 
Despite the advent of modern conveniences, many families, particularly in Appalachia, still continue the traditional, outdoor method of making apple butter as a way to preserve cultural heritage and foster community.

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Thanksgiving 2025: Turkey Prices Surge But Shoppers Can Still Save

Thanksgiving 2025: Turkey Prices Surge But Shoppers Can Still Save

Thanksgiving 2025 is shaping up to be more expensive for many households, thanks to rising turkey prices. According to a recent USDA report, wholesale frozen turkey prices are expected to hit $1.32 per pound this year—a 40% increase from 2024’s average of 94 cents. The surge comes after several outbreaks of highly pathogenic avian influenza […]

The post Thanksgiving 2025: Turkey Prices Surge But Shoppers Can Still Save appeared first on DoYouRemember? – The Home of Nostalgia. Author, Ruth A

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Sandy Dennis: The Unconventional Star of 1960s American Cinema

Sandy Dennis: The Unconventional Star of 1960s American Cinema

Sandy Dennis was an American actress celebrated for her distinctive style, emotional intensity, and quietly unconventional charm. Born in 1937 in Hastings, Nebraska, she rose to prominence in the 1960s with a series of powerful performances that made her one of the most original talents of her generation.

Her breakthrough came with Who’s Afraid of Virginia Woolf? (1966), where she won the Academy Award for Best Supporting Actress for her portrayal of the nervous but endearing Honey. Dennis went on to star in acclaimed films such as The Fox (1967), Sweet November (1968), and The Out-of-Towners (1970), often playing complex, sensitive women whose inner lives defied Hollywood convention.
Known for her naturalism and subtle unpredictability, Dennis brought a unique authenticity to every role — a quality that set her apart in an era dominated by glamour and polish. She continued to work in film, television, and theater until her death in 1992, leaving behind a legacy defined by honesty, artistry, and quiet brilliance.

Take a look at these vintage photos to see portraits of a young Sandy Dennis in the 1960s and ’70s.

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