His mother, Afeni Shakur (born Alice Faye Williams), was a prominent Black Panther Party member and activist. She was pregnant with Tupac while out on bail during the high-profile “Panther 21” trial in New York, where she and others faced over 150 charges of conspiracy. She successfully defended herself and was acquitted just a month before his birth.

His biological father was Billy Garland, also a Black Panther member, though Tupac had little contact with him growing up. Afeni had been married to Lumumba Shakur (another Panther), but that marriage ended when it was discovered he was not Tupac’s father. Tupac later took the surname Shakur from his stepfather, Mutulu Shakur.

He had an older stepbrother (Mopreme Shakur) and a younger half-sister (Sekyiwa Shakur). Many extended family and close associates were tied to the Black Panthers or the Black Liberation Army, leading to frequent involvement with law enforcement, imprisonment, and activism.

Tupac’s early years were marked by frequent moves, poverty, and instability. The family lived in Harlem and the Bronx, often in small apartments, public housing, or shelters. His mother struggled to find steady work, and later faced challenges with drug addiction (though her crack cocaine issues intensified more in the 1980s).

The household was steeped in Black Power and revolutionary ideology. Tupac was exposed early to activism, community organizing, and discussions of social justice, police brutality, and systemic racism. His mother raised him with a strong sense of Black history and resistance.

He was renamed Tupac Amaru Shakur at around age one, after the 18th-century Peruvian indigenous revolutionary Túpac Amaru II, reflecting his mother’s desire for him to have a name tied to global revolutionary heritage.

Life involved trauma and hardship: family members and associates faced arrests, FBI surveillance (due to COINTELPRO targeting of the Panthers), and violence. Tupac later referenced these experiences in his music, such as in “Dear Mama,” which honors his mother’s struggles while acknowledging the difficulties of his upbringing.

Even as a young child in the 1970s, Tupac showed artistic leanings. At age 12 (around 1983, still in New York), he performed in a Harlem theater production of A Raisin in the Sun. He was described as sensitive, intelligent, and drawn to poetry, acting, and performance—interests that would flourish more in Baltimore in the 1980s.

The family moved to Baltimore, Maryland, in 1984 (when Tupac was 13), seeking a fresh start. There, he attended schools including the Baltimore School for the Arts, where he honed his talents in acting, poetry, jazz, ballet, and rapping.

Tupac’s 1970s childhood was far from ordinary: it was defined by radical political immersion, economic hardship, family resilience, and early exposure to art and activism in the vibrant but challenging streets of 1970s New York. These formative experiences deeply influenced his later music, which often blended personal pain, social commentary, and revolutionary themes.

Turner wore a shimmering haute couture dress created by iconic Tunisian designer Azzedine Alaïa. Photographer Peter Lindbergh famously suggested she climb the tower barefoot and let him edit her heels into the frame later to ensure her safety. Turner flatly refused, and proceeded to scale the structure in her signature high heels.

True to Lindbergh’s signature vérité street-photography style, the shoot was entirely authentic. No harnesses, wires, or safety nets were utilized during the session. He later recalled: “We worked a lot together, and it was very easy to do outstanding pictures with her. And then she did an album called Foreign Affair and then we said, ‘Well, why don’t you be in the Eiffel Tower for that?’ We went up on the Eiffel Tower, did no tricks, no nothing, and she climbed in the thing, and we said, ‘You know, we can try to put your heels after, Tina’ and she said, ‘You must be kidding.’”

While the image appears as though Turner is hanging precariously hundreds of feet in the air, the extreme perspective was achieved through clever camera positioning. Lindbergh used a forced-perspective technique. Turner was actually safely positioned just a few feet above a lower structural platform, meaning a fall would not have been fatal, despite how terrifying the final composition looks.