Famous Posthumous Photos of “Bloody Bill” Anderson After Being Killed by Union Solders, 1864

by | Jul 31, 2026 | Yesteryear

William T. Anderson (c. 1840 – October 26, 1864), known by the nickname “Bloody Bill” Anderson, was a Confederate soldier who was one of the deadliest and most notorious guerrilla leaders in the American Civil War. Anderson operated along the lawless Missouri-Kansas border, leading a group of irregular pro-Confederate partisan fighters known as “bushwhackers.” His tactics were defined by extreme violence and a thirst for personal vengeance, fueled in part by the death of his sister in a Union jail collapse.
He became infamous for scalping, mutilating, and executing Union soldiers. His most notorious act was the Centralia Massacre in September 1864, where his men executed over 20 unarmed Union soldiers on a train and slaughtered over 100 pursuing troops. His band of fighters served as a breeding ground for future outlaws, including young Jesse James and Cole Younger.
Furious over the Centralia Massacre, Union forces tasked Lieutenant Colonel Samuel P. Cox with hunting Anderson down. On October 26, 1864, Cox lured the guerrillas into an ambush near Albany, Missouri. Anderson charged directly into the line of fire and was shot twice in the head, dying instantly.
Union forces brought his body to Richmond, Missouri, parading it through the streets in triumph. To provide undeniable propaganda proof to the public that the notorious terrorist was dead, local photographer Robert B. Kice propped his corpse into a chair, arranged his hair, and placed a revolver in his hand. The photographs were widely distributed across the border states. Following the photo session, Union soldiers reportedly dragged his body through the streets, decapitated him, and buried him in an unmarked field. Decades later, in 1908, his former subordinate Cole Younger returned to give him a proper burial in Richmond’s Pioneer Cemetery.

Historians have been mixed in their appraisal of Anderson. Biographer Larry Wood describes him as the “bloodiest man in America’s deadliest war” and characterizes him as the clearest example of the war’s “dehumanizing influence.” In their biography of Anderson, Albert Castel and Tom Goodrich view Anderson as one of the war’s most savage and bitter combatants, but they also argue that the war made savages of many others.
According to journalist T.J. Stiles, Anderson was not necessarily a “sadistic fiend,” but illustrated how young men became part of a “culture of atrocity” during the war. He maintains that Anderson’s acts were seen as particularly shocking in part because his cruelty was directed towards white Americans of equivalent social standing, rather than targets deemed acceptable by American society, such as Native Americans or foreigners.
In a study of 19th-century warfare, historian James Reid posited that Anderson suffered from delusional paranoia, which exacerbated his aggressive, sadistic personality. He sees Anderson as obsessed with, and greatly enjoying, the ability to inflict fear and suffering in his victims, and suggests he suffered from the most severe type of sadistic personality disorder. Reid draws a parallel between the bashi-bazouks of the Ottoman Army and Anderson’s guerrillas, arguing that they behaved similarly.
Anderson, ca. 1864

Striking Photographs of Kate Bush During the Photoshoot for Her Single “Babooshka” (1980)

by | Jul 31, 2026 | Yesteryear

The iconic 1980 Kate Bush photoshoot for the single art of “Babooshka” was captured by her older brother and frequent artistic collaborator, John Carder Bush. Taken in June 1980 to promote the leading single from her third studio album Never for Ever, this visual session perfectly mirrors the song’s themes of deception, dual identity, and marital alienation.

Released in June 1980 as the second single from her third studio album, Never for Ever, “Babooshka” became one of Kate Bush’s biggest global hits, reaching No. 5 on the UK Singles Chart and top-10 positions across Europe and Australia.
While “babushka” is the Russian word for “grandmother,” Bush later admitted she didn’t realize the meaning at the time. She chose it purely for its rhythmic, evocative sound to serve as the pseudonym chosen by the jealous wife sending secret love letters to her own husband.
“Babooshka” features one of the earliest prominent uses of the Fairlight CMI synthesizer’s digital sampling capabilities. The dramatic, shattering glass sounds during the song’s climax were recorded by dropping crockery and glass in the studio, then sampled and sequenced onto the keyboard. The single was backed with “Ran Tan Waltz,” a tragicomic track about a man complaining about his drunken, neglectful wife, contrasting the dark romance of the main track.
Never for Ever debuted at No. 1 on the UK Albums Chart shortly after the single’s release, making Bush the first British solo female artist to top the UK album chart and the first female artist to enter the chart straight at No. 1.

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