by CU Newswire | Apr 21, 2026 | Yesteryear
In February 1967, Elvis purchased the Circle G Ranch in Horn Lake, Mississippi, a secluded property about 18 miles south of Graceland. It became something of a personal retreat (and later a honeymoon cottage after Elvis and Priscilla married in May 1967). To work the ranch and care for the 25 horses that eventually lived there, Elvis needed real working trucks.
Among the vehicles at the ranch was a 1966 Dodge D200 Sweptline, notable for being a four-door “Crew Cab” configuration. At the time, four-door pickups were quite rare and primarily used by utility crews or construction teams, rather than as personal vehicles.
Elvis didn’t just buy one; he reportedly went on a spending spree, buying a fleet of Dodge and Chevrolet trucks for himself, his “Memphis Mafia” buddies, and the ranch staff so they could all work the land together. Many of these trucks featured the “Circle G” logo on the doors, identifying them as part of the ranch’s operations.
For a short window in 1967, Elvis traded his flashy Cadillacs for these Dodge trucks. He was frequently spotted by local fans and neighbors driving the D200 around Horn Lake, wearing a cowboy hat and boots. He used the D200 specifically to haul horse trailers and move supplies.
Friends recalled this era as one of the happiest for Elvis, as the truck and the ranch offered him a sense of normalcy and a physical outlet away from the pressures of Hollywood.
While many of Elvis’s vehicles ended up in the Presley Motors Automobile Museum at Graceland, his ranch trucks were often sold or given away after he sold the Circle G Ranch in the late 1960s. However, the 1966 Dodge D200 has surfaced at various high-end auctions over the years, often recognized by its rare crew cab body and documented history with the King.
by CU Newswire | Apr 21, 2026 | Yesteryear
Frederick Starke (1904–1988) was one of Britain’s most successful and influential wholesale couturiers of the mid-20th century. Born into a Jewish family with deep roots in the clothing trade, he established his own label, Frederick Starke Ltd., in 1933 and quickly rose to prominence after World War II.
Based in the prestigious Bruton Street in Mayfair, London, Starke became known for creating elegant, feminine, and impeccably tailored ready-to-wear garments that bridged the gap between haute couture and high-end ready-to-wear. His designs embodied the glamour of the 1950s and ’60s, featuring luxurious fabrics, flattering silhouettes, full skirts, and sophisticated cocktail dresses that appealed to both society women and celebrities.
A founding member of the Model House Group and later the Fashion House Group, Starke played a key role in elevating the standards and visibility of British wholesale couture. These exquisite photos capture the timeless elegance and impeccable craftsmanship of Frederick Starke’s designs, showcasing why he became one of Britain’s most respected couturiers of the post-war era.
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| Model in evening dress in the palest gold satin with a peplum by Frederick Starke, jewelry by cartier, the gloves are velvet, photo by Richard Dormer, Harper’s Bazaar UK, October 1950 |
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| June Duncan in long full-fronted evening coat of red grosgrain that surprisingly opens down the back by Frederick Starke, photo by Henry Clarke at the Royal Opera House, Covent Garden, Harper’s Bazaar UK, October 1950 |
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| Part of Pat O’Reilly’s very own trousseau, her going-away suit in mushroom pink with two fisher ties by Frederick Starke, violet parma hat by Erik, photo by Richard Dormer, Harper’s Bazaar UK, March 1950 |
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| Pat O’Reilly in high-neck dress with buttoned bodice in pin-check tweed in red, brown and white by Frederick Starke, fur from Bradleys, photo by Richard Dormer, Harper’s Bazaar UK, August 1950 |
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| Anne Gunning in box jacket of reversible wool in white on one side and yellow the other over black wool dress with diagonal draped V-neck by Frederick Starke, white straw hat by Otto Lucas, photo by Henry Clarke, Harper’s Bazaar UK, February 1951 |
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by CU Newswire | Apr 21, 2026 | Yesteryear
The relationship between Judy Garland and a young Liza Minnelli is one of the most documented yet poignant mother-daughter dynamics in Old Hollywood history. Liza was born in 1946 to Judy and director Vincente Minnelli, entering the world right as Judy was filming some of her most iconic MGM features.
Liza made her very first screen appearance at only three years old in the final scene of the 1949 film In the Good Old Summertime, walking alongside her mother and Van Johnson.
During the late 1940s, Judy often brought Liza to the studio. There are famous archival photographs of a toddler-aged Liza sitting on Judy’s lap in the makeup chair or playing with costumes on the set of The Pirate.
Even as a toddler, Liza was immersed in the world of performance. Judy reportedly treated Liza more like a companion than a child, often dressing her in miniature versions of her own stage outfits.
Judy and Liza shared a complex but close bond throughout their lives, Liza often described her mother as her best friend, though their relationship was shaped by Hollywood pressures, Judy’s health struggles, and Liza’s own rising career. They even performed together on The Judy Garland Show in the 1960s.
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by CU Newswire | Apr 21, 2026 | Yesteryear
In December 1976, Italian photographer Giancarlo Botti captured a series of portraits of American actress Jessica Lange in Paris. At the time, Lange was 27 years old and on the brink of international stardom, visiting France to promote her film debut in the 1976 remake of
King Kong, the film that earned her a Golden Globe for New Star of the Year.
In the 1970s, Lange transformed from a bohemian art student and model into a globally recognized, though initially controversial, film star. Her decade was defined by a rapid ascent from obscurity to the center of Hollywood’s spotlight.
After dropping out of the University of Minnesota, she moved to Paris in 1971 to study mime theater under Étienne Decroux. She also joined the Opéra-Comique as a dancer. While in France, she was discovered by fashion illustrator Antonio Lopez, which led to her signing with the Wilhelmina modeling agency.
Returning to New York in 1973, she worked as a waitress at the Lion’s Head Tavern while occasionally modeling to pay the rent. Her professional film debut came as the damsel-in-distress, Dwan, in the big-budget remake of King Kong. While the film was a massive box-office hit, Lange’s performance was initially widely panned by critics. Despite this, she won the Golden Globe for New Star of the Year.
Following the criticism of King Kong, she did not work on screen for over two years, instead focusing on intensive drama training to prove her capabilities.
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by CU Newswire | Apr 21, 2026 | Yesteryear
In the 1960s, Mallorca transformed from a quiet Mediterranean island into one of Europe’s most desirable holiday destinations. With its golden beaches, dramatic mountains, and year-round sunshine, the island welcomed a rapidly growing wave of tourists, especially British and German visitors, as affordable package holidays became popular. Small fishing villages like Magaluf, Palma Nova, and Cala d’Or began to evolve into lively resorts, while traditional Mallorcan life continued in the inland villages and terraced hillsides.
This was an era of sun-soaked innocence: families lounged on less crowded beaches, sipped sangria at simple chiringuitos, and danced the night away in emerging beach clubs. Celebrities and bohemians, from Hollywood stars to artists and writers, sought refuge in places like Deià and Valldemossa, drawn by the island’s natural beauty and laid-back charm. Bikinis made their bold debut, infrastructure expanded rapidly, and a unique blend of old Mallorcan traditions and modern cosmopolitan energy defined the decade.
Though mass tourism was still in its early, more gentle phase, the 1960s marked the beginning of Mallorca’s golden era as the ultimate sun-and-sea escape of the Swinging Sixties. These fascinating photos by
Kai Heinrich showcase everyday life in Mallorca as it was in 1968.
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