‘Marty, Life Is Short’ reveals the losses endured by comedy legend Martin Short
After a long career in comedy, Martin Short shares his story of “love, loss and survival” in a new Netflix documentary, Marty, Life Is Short.
Of course we look for ourselves in art — but if we stop there, we’re missing out
As I watched the new series, I only cared about Piggy — the thoughtful, smart kid stranded on an island with other boys. That made me think about what we look for in art.
Sunday Puzzle: Words in a country
NPR’s Ayesha Rascoe plays the puzzle with WAMU listener Russell Weeden and Weekend Edition Puzzlemaster Will Shortz.
Pia Rossilli: Timeless Elegance of Mid-Century Fashion
Pia Rossilli (1937–2020), later known as Pia Kazan, was a striking American fashion model of Italian descent who became one of the prominent faces of the 1950s and ’60s. With her elegant features, expressive eyes, and sophisticated charm, she worked with top photographers and appeared in major magazines such as Vogue, Harper’s Bazaar, and Elle.
After marrying renowned fashion photographer Lionel Kazan, Rossilli continued her career while becoming his frequent muse. She embodied the graceful, feminine style of mid-century fashion, transitioning effortlessly between studio elegance and natural outdoor shoots.
Though she stepped away from modeling later in life, her timeless beauty and classic portraits remain cherished examples of golden-age fashion photography. These beautiful vintage photos capture the effortless grace, sophistication, and timeless allure of Pia Rossilli, one of the most elegant faces of mid-20th century fashion.
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| Pia Kazan is wearing a cognac velveteen gob hat by Emme Boutique, photo by Karen Radkai, Vogue, August 1, 1960 |
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| Pia Kazan wearing a mauve wool tweed suit with a wide-collared jacket with knotted cord buttons and a narrow over-the-knee skirt, and a matching overblouse, by Finger & Rabiner, worn with a lilac velvet beret, US Vogue, August 1, 1960 |
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| Pia Kazan wearing a sleeveless leopard print knitted wool overblouse with a red knitted wool narrow-collared jacket and narrow, knee-length skirt, by Kimberly, worn with a gold ring and earring set with pearls, US Vogue, August 1, 1960 |
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| Pia Rossilli Kazan in red wool tweed suit over red wool jersey top by Leonard Arkin, matching muffin beret by Madcaps, photo by Karen Radkai, Vogue, August 1, 1960 |
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| Pia Kazan in raspberry tweed (wool and reindeer hair) dress and jacket by Sportwhirl, pink velveteen gob-hat by Emme Boutique, Valentine shoes, photo by Karen Radkai, Vogue, August 1, 1960 |
Photos of a Very Young Salvador Dalí in the 1920s
Salvador Dalí (May 11, 1904 – January 23, 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. In the 1920s, Dalí underwent one of the most dramatic stylistic transformations in art history. He began the decade as a talented student experimenting with various movements and ended it as the provocative face of Surrealism.
Born in Figueres, Catalonia, Spain, Dalí showed artistic promise from childhood. He studied at the Municipal Drawing School in Figueres and later moved to Madrid in 1922 to attend the prestigious Real Academia de Bellas Artes de San Fernando. At the academy (and while living at the Residencia de Estudiantes), he was known as a flamboyant dandy with long hair, sideburns, stylish clothing in an English aesthete vein, and a rebellious figure who criticized professors and absorbed influences like Impressionism, Fauvism, Cubism, Futurism, and Metaphysical painting. He experimented widely, producing works with classical precision alongside avant-garde elements. His technical skill was evident early on.
In 1925, he held his first solo exhibition at Galeries Dalmau in Barcelona (22 works), which was a critical and commercial success. He also participated in group shows. In 1926, he made his first trip to Paris, meeting Pablo Picasso (whom he admired) and connecting with Joan Miró. He was briefly expelled from the academy for insubordination but left without a diploma, boldly claiming the faculty couldn’t judge him. He painted works showing Cubist influences and began shifting toward more symbolic or dreamlike imagery. Hybrid portraits and other experimental pieces from this period (often linked to his friendship with poet Federico García Lorca) highlight his maturing style.
From around 1927, Dalí’s work increasingly incorporated Surrealist elements, influenced by Sigmund Freud’s ideas on the subconscious, dreams, and eroticism. Paintings like Honey is Sweeter than Blood (1927) and Apparatus and Hand (1927) bridged Cubism and Surrealism. In 1929, he formally joined the Paris Surrealist group led by André Breton, collaborated with Luis Buñuel on the groundbreaking surrealist film Un Chien Andalou (An Andalusian Dog), and met his lifelong muse and wife, Gala (Elena Ivanovna Diakonova). These events catapulted him toward international fame. His style evolved rapidly toward bizarre, incongruous images in meticulously realistic detail, often set in dreamlike or desolate landscapes inspired by his Catalan homeland, hallmarks of his mature work.
The 1920s were a period of technical mastery, stylistic experimentation, personal flamboyance, and key connections that set the stage for his iconic Surrealist output in the 1930s (e.g., melting clocks in The Persistence of Memory). He was already provocative, ambitious, and deeply engaged with the avant-garde scene in Spain and France.
