Yesteryear

Finding Nemo (2003)

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Pixar, the animation house behind Monsters, Inc., A Bug’s Life and the two Toy Story classics, lands another winner for Disney. Kids stuff? You tell me. Little Nemo no sooner loses his mum than he’s kidnapped, leaving his dad to find him before Sonny Boy is sold off or flushed. If the characters weren’t fish, and […]

Big Fish (2003)

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Skillfully adapted by John August from a 1998 novel by Daniel Wallace, Big Fish brims with storytelling sorcery, and director Tim Burton makes it glitter. It’s the tale of a man who makes up his life as he goes along and finds a deeper truth in fantasy. That man is Edward Bloom, a salesman played […]

Bob & Rose

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2 0 0 1 (UK) 6 x 45 minute episodes Thirty-something Bob Gossage (Alan Davies) was gay and increasingly weary of the Manchester scene. Rose Cooper (Lesley Sharp) was disillusioned with her safe boyfriend, A chance meeting brought them together and marked the beginning of a touching love story neither of them expected. A drama featuring […]

30 Stunning Portraits of Maureen O’Sullivan in the 1940s

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Maureen O’Sullivan (May 17, 1911 – June 23, 1998) was an Irish-American actress best known as Jane in the Tarzan films opposite Johnny Weissmuller (1932–1942). In the 1940s, she was in her late 20s to early 30s, a delicate, elegant beauty with classic Hollywood glamour—petite frame, dark hair, expressive eyes, and a charming, refined presence.

She continued playing Jane in the later Tarzan movies (Tarzan’s Secret Treasure in 1941 and Tarzan’s New York Adventure in 1942) but also took on more sophisticated roles, such as Jane Bennet in Pride and Prejudice (1940) alongside Greer Garson and Laurence Olivier, and in Maisie Was a Lady (1941).

O’Sullivan had a soft, feminine 1940s Hollywood aesthetic, often with wavy or styled dark hair (sometimes in elegant updos or soft curls), tailored or flowing gowns for publicity/films, and a graceful poise. Photos from the era show her as radiant and ladylike, embodying “Irish colleen” charm mixed with MGM polish.

She was under contract with MGM earlier but focused more on family after 1942. She had married director John Farrow in 1936 and had several children (including Mia Farrow), so she stepped back from full-time filming to raise her growing family. She returned later with roles like in The Big Clock (1948).

Maureen O’Sullivan remained active into later decades on stage, TV, and occasional films. Contemporary descriptions and photos portray her as a poised, charming star of Hollywood’s Golden Age.

1930 Cord L-29 Cabriolet: Pioneering Elegance of the Front-Wheel Drive Era

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The 1930 Cord L-29 Cabriolet was one of the most striking and technologically advanced automobiles of its time. As the first American production car to feature front-wheel drive, the L-29 represented a bold engineering breakthrough. Designed by Al Leamy under the direction of E.L. Cord, it boasted a long, low, and dramatically sleek profile with a distinctive coffin-nosed radiator grille, massive 125-inch wheelbase, and elegant coachbuilt bodywork.

Powered by a Lycoming straight-eight engine producing 125 horsepower, the Cord L-29 offered smooth performance and exceptional handling for its size. The Cabriolet variant, with its convertible top and luxurious interior, perfectly combined cutting-edge technology with timeless Art Deco styling.

These stunning photos beautifully showcase the groundbreaking design and sophisticated presence of the 1930 Cord L-29 Cabriolet, a true masterpiece of American automotive innovation and elegance.

Portraits of Teenage Janet Jackson Taken by George Rodriguez in 1978

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These 1978 portraits of Janet Jackson taken by legendary Chicano photographer George Rodriguez capture the future pop icon at just 12 years old. Often photographed alongside her siblings, including her sister La Toya Jackson and her brother Michael Jackson, these sessions documented a critical transition period for the Jackson family.

Long before she became a defining pop icon of the 1980s, Janet built an impressive resume as a child actress, using television to establish an identity separate from her famous brothers. At just 10 years old, Janet made her formal television debut on this CBS variety show alongside her siblings. She regularly performed musical numbers, danced, and participated in comedy skits.

Producer Norman Lear handpicked Janet to play Penny Gordon Woods, a young girl rescued from an abusive household by Willona Woods, on Good Times (1977–1979). Tackling such intense, heavy subject matter on a major sitcom showcased her emotional depth and vulnerability to millions of viewers. Following her time on Good Times, Janet instantly jumped into a starring role as Jojo Ashton in this ABC sitcom A New Kind of Family (1979), further cementing her status as a network television regular.

Cool Off With Yvonne Craig

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Yvonne Craig was a former professional ballerina who brought a unique grace to her modeling and acting roles, including her performance as the green-skinned Orion slave girl Marta in Star Trek. Here are some striking photos of Craig eating ice-cream on ice in a bikini, ca. 1964:

In the early 1960s, Craig reached a new level of fame by starring as the leading lady in two Elvis Presley films. She is often remembered as one of the few costars who maintained a genuine, lifelong friendship with Presley. She played Dorothy Johnson in It Happened at the World’s Fair (1963) and Azalea Tatum in Kissin’ Cousins (1964).

Between 1964 and 1966, she guest-starred in several high-profile series, including The Man from U.N.C.L.E., The Wild Wild West, Voyage to the Bottom of the Sea, and McHale’s Navy. She appeared in the cult science fiction film Mars Needs Women (1966) and played a Russian ballet dancer in the spy parody In Like Flint (1967).

In 1967, Craig landed her most famous role as Batgirl/Barbara Gordon in the third season of Batman. She was hired to boost the show’s ratings and appeal to female viewers.

30 Portraits of a Young Pierce Brosnan in the 1980s

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The 1980s was the definitive breakout decade for Pierce Brosnan (born May 16, 1953), transforming him from a struggling British stage actor into an international television heartthrob and a household name in America. It was a decade defined by effortless charm, tailored suits, and a massive “what if” moment that altered the course of action-movie history.

After making brief appearances in British films like The Long Good Friday (1980), Brosnan moved to Southern California in 1982. In his very first Hollywood audition, he landed the titular role in the NBC romantic detective comedy-drama Remington Steele (1982–1987), starring alongside Stephanie Zimbalist. Brosnan played an unnamed ex-con man and thief who assumes the identity of a fictional male boss invented by private investigator Laura Holt (Zimbalist) to get clients to take her agency seriously. He channeled the classic Hollywood panache of Cary Grant, mastering the art of “suit acting”—balancing dashing sophistication with a touch of self-deprecating comedic clumsiness. The show became a massive hit, pioneering the slow-burn, “will-they-or-won’t-they” romantic dynamic that defined 1980s television and cementing Brosnan as a major sex symbol.

Brosnan’s suave, sophisticated performance on Remington Steele made him the obvious choice to succeed Roger Moore as James Bond. In 1986, NBC canceled Remington Steele due to dropping ratings. Sensing his opportunity, Bond producer Albert R. Broccoli offered Brosnan the role of 007 for the upcoming film The Living Daylights.

However, the massive publicity surrounding Brosnan becoming the new Bond sparked a sudden surge of interest in Remington Steele. NBC capitalized on the hype and used a contractual loophole to reverse their cancellation, renewing the show for a shortened fifth season and forcing Brosnan back to work. Because Broccoli refused to have James Bond appearing in a concurrent TV series, he pulled the offer. The role went to Timothy Dalton instead, forcing Brosnan to wait nearly a decade (until 1995’s GoldenEye) to finally step into the tuxedo.

When Remington Steele finally wrapped up for good in 1987, Brosnan spent the remainder of the decade trying to break out of his “charming rogue” television mold by tackling feature films and high-profile TV miniseries.

By the time the 1980s closed out, Brosnan had proved his range. Though the Bond franchise had slipped through his fingers for the time being, his style, charisma, and heavy presence on American television laid the exact foundation needed to make him one of the biggest movie stars of the 1990s.

Penry Williams: Elegance and Romance in Italian Life

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Penry Williams (1802–1885) was a Welsh painter best known for his elegant depictions of Italian life and landscapes. Born in Merthyr Tydfil, Wales, he trained at the Royal Academy in London before settling permanently in Rome in 1827, where he lived for nearly six decades.

Williams specialized in genre scenes, portraits, and Italian views, often portraying local peasants, Roman festivals, and the picturesque countryside with a refined, romantic sensibility. His works combined neoclassical clarity with the warmth and charm of everyday Italian life, earning him considerable success among British visitors on the Grand Tour.

Williams is remembered as one of the most accomplished Welsh artists of the 19th century and a significant figure in the British artistic community in Rome. These beautiful paintings capture Penry Williams’ refined sensibility, romantic charm, and deep affection for Italian life, cementing his legacy as one of the most graceful Welsh artists of the 19th century.

A Roman and His Ox Cart by Ancient Ruins

A Distant View of Saint Peter’s, Rome

A Goatherd on the Roman Campagna

A Mother and Child beneath an Arbour at Evening

A View of Rome from the Tiber, with the Ponte Rotto and the Temple of Vesta

Yutte Stensgaard: The Sensual Beauty of Hammer Horror

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Born 1946, Danish actress and model Yutte Stensgaard became a minor cult figure in British cinema during the late 1960s and early ’70s.

With her striking Nordic beauty, long blonde hair, and sensual screen presence, she is best remembered for her role as the seductive vampire Mircalla/Carmilla in Hammer Film Productions’ Lust for a Vampire (1971). Although her acting career was relatively short, she appeared in several popular British television series such as The Saint, Department S, and The Persuaders!, as well as the cult horror film The Vampire Lovers (1970).

Stensgaard embodied the liberated, glamorous “Swinging Sixties” ideal and remains a favorite among fans of classic Hammer horror. These striking vintage photographs capture the hypnotic beauty, seductive charm, and magnetic screen presence of Yutte Stensgaard, one of the most unforgettable faces of early 1970s Hammer Horror.