Yesteryear

Photographs of Bon Scott on Top of Angus Young’s Shoulders During Performances in the 1970s

Photographs of Bon Scott on Top of Angus Young’s Shoulders During Performances in the 1970s

Bon Scott, the iconic lead singer of AC/DC, was frequently seen riding on guitarist Angus Young’s shoulders during performances in the 1970s. This became one of the band’s signature live show antics. The image of Scott—wild-eyed, shirtless, often holding a mic or bottle—atop Young, who was clad in his trademark schoolboy outfit, captured the raw, rebellious energy of early AC/DC.

This move usually occurred during extended jam sessions or solos, especially during songs like “Rocker” or “Let There Be Rock.” Angus would weave through the crowd or climb onto stage rigs with Bon perched on his shoulders, engaging the audience in a chaotic rock spectacle.
It symbolized the synergy and chemistry between the two: Bon’s devil-may-care charisma and Angus’s manic energy. Tragically, this era ended with Bon’s death in 1980, but that shoulder-ride remains a defining visual of classic AC/DC.

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30 Gorgeous Photos of Anouk Aimée in the 1950s and ’60s

30 Gorgeous Photos of Anouk Aimée in the 1950s and ’60s

Born Françoise Sorya Dreyfus, French actress Anouk Aimée began acting in her teens. Her breakthrough came in the 1960s, notably with roles in Federico Fellini’s La Dolce Vita (1960) and (1963), where she played mysterious, alluring women emblematic of the era’s existential ennui.

Known for her enigmatic beauty, emotional depth, and iconic presence in European cinema, and with a career spanning more than seven decades, Aimée became a muse for many prominent directors and left an indelible mark on international film. Her understated style and emotive restraint became her trademark, making her one of French cinema’s most sophisticated and enduring stars.
Aimée continued working well into the 21st century, maintaining a mystique that defined her career. She died at her home in Paris in 2024, at the age of 92. Take a look at these gorgeous photos to see portraits of Anouk Aimée in the 1950s and 1960s.

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Nikola Tesla’s Foot on an X-ray Image Taken by Himself on a Device of His Own Design, 1896

Nikola Tesla’s Foot on an X-ray Image Taken by Himself on a Device of His Own Design, 1896

In 1896, Nikola Tesla used a machine of his own design to capture an X-ray image of his foot. He called this early X-ray photograph a “shadowgraph,” and it clearly showed his foot inside a shoe.

Nikola Tesla, with over 300 patents to his name, is best known for his groundbreaking work in electricity and radio. He may have been the first to discover X-rays, but a devastating fire in 1895 destroyed much of his laboratory, setting back his research.
Shortly after, German physicist Wilhelm Röntgen published his findings on X-rays. Rather than feeling discouraged, Tesla congratulated Röntgen and even sent him some of his own X-ray images, which Röntgen praised. Undeterred, Tesla continued his experiments, developing high-energy vacuum tubes powered by his Tesla coil. These allowed him to produce highly detailed X-ray images, which he called “shadowgraphs.” He even captured images of his own body, including his hand and foot.
Despite his remarkable contributions, Tesla struggled with financial difficulties and personal setbacks later in life. He spent his final years in solitude and passed away at the age of 86.
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Nicolas Francisco Tamagno’s Striking Posters of the Late 19th Century

Nicolas Francisco Tamagno’s Striking Posters of the Late 19th Century

Nicolas Francisco Tamagno (1862–1933) was an Italian painter and lithographic poster artist who was active in France between 1880 and 1914. Born in Turin, Italy, he trained in Rome in watercolor and lithography before moving to Paris, where he studied at the École des Beaux-Arts.

Tamagno became well known for his collaboration with the Parisian printing house Victor Camis, with whom he produced over 100 posters between 1890 and 1900. His work is part of the golden age of French poster art, alongside artists like Jules Chéret and Alphonse Mucha.
One of his most iconic contributions was the creation of the “Pierrot” character for the Cointreau liqueur brand in 1898. This character was inspired by a photograph of the mime Najac taken by the famous photographer Nadar.
Tamagno’s artistic style is noted for its vivid colors, lively composition, and a blend of realism and stylization. His work reflects the Art Nouveau influences of his time and is considered an important part of the history of commercial and advertising art in France.
Mexiko, Rafraichissant Tonique Digestif, circa 1898

L’Eté à Ostende, 1893

Absinthe Terminus Bienfaisante, 1895

Bières du Croissant, 1895

D. Guillot Liqueurs, 1895

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25 Nostalgic Photos Show Men’s Sweaters of the 1980s

25 Nostalgic Photos Show Men’s Sweaters of the 1980s

Men’s sweaters of the 1980s were iconic and diverse, reflecting a bold and expressive fashion era. Oversized sweaters burst onto the scene, showcasing bold colors and abstract designs. Chunky knits and branded sweatshirts became casual staples, while cardigans offered versatility, often layered for a stylish, relaxed look.

During the 1980s, you’d notice cotton and wool dominating men’s clothing fabrics. Acrylic became a favorite for its affordability and softness, while polyester surged for casual wear, balancing durability with modern style.
Layering became essential, with vibrant sweaters over turtlenecks in the 1980s. Influences from pop culture shaped your style, mixing casual and glamorous elements for a unique fashion statement.

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Impressive Fashion Photography by Jacques Decaux From the 1950s

Impressive Fashion Photography by Jacques Decaux From the 1950s

Jacques Decaux was a French fashion photographer active during the 1950s and 1960s, known for his refined and elegant portrayal of haute couture. He collaborated with prestigious fashion houses such as Christian Dior, Jean Patou, and Jacques Fath, capturing their creations with a focus on texture, detail, and sophistication.

Decaux had a particular talent for highlighting luxurious fabrics like Dognin lace and satin de soie, often photographing garments in a way that emphasized their craftsmanship and grace. His work appeared in leading fashion publications of the time and helped define the visual language of post-war French fashion.
These vintage fashion photos, taken by Jacques Decaux, showcase portraits of classic beauties from the 1950s.
Dorian Leigh in organdie and silk satin evening dress by Christian Dior, photo by Jacques Decaux, 1956

Dorian Leigh in silk print dress by Madeleine de Rauch, photo by Jacques Decaux, 1956

Dorian Leigh in silk taffeta print ensemble by Jacques Fath, photo by Jacques Decaux, 1956

Isabella Albonico in velvet and satin evening gown by Jacques Griffe, photo by Jacques Decaux, 1956

Ivy Nicholson in rayon crêpe cocktail dress by Jacques Fath, photo by Jacques Decaux, 1956

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Claudette Colbert: A Timeless Icon of Classic Hollywood Cinema

Claudette Colbert: A Timeless Icon of Classic Hollywood Cinema

French-American actress Claudette Colbert was known for her wit, charm, and sophisticated screen presence, she won the Academy Award for Best Actress for her role in Frank Capra’s classic screwball comedy It Happened One Night (1934), opposite Clark Gable. This film is often credited with cementing the romantic comedy formula and showcasing her impeccable comedic timing. She was also known for her versatility, moving effortlessly between drama, comedy, and historical epics such as Cleopatra (1934).

A top box-office draw in the 1930s and 1940s, Colbert was one of the few actresses of her era who maintained her stardom over decades. She continued acting into the 1950s and made selective television and stage appearances into the 1980s.
Smart and independent off-screen as well, Colbert was careful about her image and career choices, contributing to her longevity in the industry. She is remembered as one of the definitive actresses of classic Hollywood cinema. Take a look at these stunning photos to see the beauty of a young Claudette Colbert in the 1930s.

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Harold Agnew Carrying the Plutonium Core of the Nagasaki Fat Man Bomb, 1945

Harold Agnew Carrying the Plutonium Core of the Nagasaki Fat Man Bomb, 1945

In this 1940s photograph, American physicist Harold Agnew (1921-2013) is seen casually carrying a small but world-altering object—the plutonium core of the Fat Man atomic bomb. This item would later be used in the bombing of Nagasaki, Japan, on August 9, 1945, an attack that killed approximately 80,000 people.

Harold Agnew saw the completion of the atomic bomb from start to finish. As a member of Enrico Fermi’s research team at the University of Chicago in 1942, Agnew witnessed the first sustained nuclear chain reaction, Chicago Pile-1. He worked in the Experimental Physics Division at Los Alamos from 1943 to 1945. While the Trinity test was being conducted, Agnew was already on his way to Tinian Island in the Pacific as part of Project Alberta, the group responsible for the final bomb assembly. He flew as a scientific observer on a B-29 bomber for the Hiroshima bombing mission, measuring the size of the shock wave to determine the bomb’s power. He also filmed the explosion with a movie camera.
The plutonium core (the box) in the Fat Man weighed 6.2 kg or about 14 lb, the pit is 9 cm (4 inches) across. And only about one fifth of it, a bit over 1 kg (2 pounds) undergoes a fission reaction. And only a gram (1/30th of an ounce) of that gets converted into explosive energy equal to 21,000 tons of TNT.
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Amazing Photos Capture Street Scenes of 1950s New York

Amazing Photos Capture Street Scenes of 1950s New York

The streets of 1950s New York buzzed with life, framed by brick buildings and glowing neon signs. Men in fedoras and trench coats hurried past corner newsstands, while women in fitted dresses and pearls strolled beside them, heels clicking on the pavement.

Yellow Checker cabs weaved through traffic, dodging trolleys and delivery trucks. Kids played stickball in alleyways, their laughter echoing between tenements. Jazz spilled from smoky bars in Harlem, while diners served coffee and pie to night owls and cabbies.
The city pulsed with energy — gritty, glamorous, and endlessly alive. Below is a set of amazing photos depicting New York street scenes from the 1950s.
Far right, No. 319 Broadway, New York City, circa 1950. (Photo by Angelo A. Rizzuto)

Crystal Motors Showroom, Bay Parkway, Brooklyn, New York, February 1950. (Photo by Samuel Gottscho)

New York City views. Manhattan skyline from City Hospital, March 14, 1950. (Photo  by Gottscho-Schleisner)

John Wanamaker Store, Great Neck, Long Island, New York, December 1, 1951. (Photo by Gottscho-Schleisner)

Patricia Murphy’s Candlelight Restaurant, Manhasset, Long Island, New York, May 26, 1951. (Photo by Gottscho-Schleisner)

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