The Atomium stands 102 meters (335 ft) tall, making it one of the tallest structures in Belgium. Its nine 18-meter-diameter (59 ft) stainless steel clad spheres are connected in the shape of a unit cell that could represent an iron crystal magnified 165 billion times. Steel tubes connecting the spheres enclose stairs, escalators and a lift (in the central, vertical tube) to allow access to the six visitable spheres, which contain exhibit halls and other public spaces. The top sphere includes a restaurant with a panoramic view of Brussels.

The construction of the Atomium was a technical feat. In January 1955, a first project was presented by the engineer André Waterkeyn, director of the economic department at Fabrimétal, the Federation of Companies in the Metal Fabricating Industry (now known as Agoria). The architects André and Jean Polak were responsible for the concept’s architectural transposition, drawing up numerous sketches in the process. The company received assistance from the consulting engineers Artémy S. Joukoff and André Beckers, who were supported by the V. Daniel design office. Construction of the foundations began in March 1956 and the building, erected by the Jambes-Namur Construction Workshops, was completed less than a month before the inauguration of Expo 58, on April 17, 1958.

Originally, the Atomium was intended to be a temporary structure, designed to last only for the duration of Expo 58. However, its immense popularity and success led to it being preserved and becoming a major landmark of Brussels and Belgium. Due to its temporary nature, the building required a major restoration, which took place from 2004 to 2006. The renovation included replacing the aging aluminum cladding with new stainless steel panels and modernizing the interior spaces. Today, the Atomium remains a popular tourist attraction, housing permanent and temporary exhibitions and offering a panoramic view of the city from its uppermost sphere.

In addition to her Hollywood career, Berger starred in numerous European films, working with celebrated directors and becoming a prominent figure in German and Austrian cinema. Beyond acting, she co-founded a production company with her husband, Michael Verhoeven, contributing significantly to German film and television.

Known for her elegance and versatility, Berger has portrayed a wide range of roles, from glamorous leading ladies to complex dramatic characters. Even later in her career, she remained active in television and theater, earning respect as one of the great actresses of her generation. Take a look at these stunning photos to see the beauty of young Senta Berger in the 1960s and 1970s.

The Marriott World Trade Center Hotel (WTC 3) stood nestled between the Twin Towers. On September 6, 2001, just five days before 9/11, the hotel’s management held a special employee appreciation luncheon for staff members. It was meant as a celebration of their hard work during the busy summer season and a way to boost morale.

The luncheon took place in one of the hotel’s banquet spaces and brought together dozens of employees from housekeeping, catering, front desk, and other departments. Many later recalled it as a rare, joyful event where staff could relax together, share food, and feel recognized. Photographs were even taken of the gathering — snapshots of smiling employees who had no idea that their workplace would soon be destroyed.

Victorian wallpaper styles were often rich, ornate, and layered with symbolism. Early in the period, patterns drew inspiration from Gothic and Rococo revival, featuring intricate floral motifs, scrolls, and damasks in deep, dark colors. By the mid-19th century, the Arts and Crafts movement introduced more naturalistic designs, with stylized leaves, flowers, and birds, inspired by medieval and folk art traditions.

Other popular themes included oriental and exotic influences, with patterns inspired by Indian, Chinese, and Middle Eastern art. Geometric patterns also gained popularity, particularly in the later Victorian years, complementing the period’s fascination with order and structure.

Common colors ranged from rich reds, greens, and blues to gold and earth tones, often printed with multiple layers to create depth and texture. In wealthier homes, wallpapers were frequently paired with ornate borders and dado panels to emphasize the verticality of Victorian interiors. Take a look at these vintage photos to see the wallpaper styles of the late 19th century.

In the 1980s, Keaton emerged as one of Hollywood’s most versatile and charismatic actors, moving from comedy to drama and eventually into blockbuster stardom. The decade was pivotal for him, showcasing his unique blend of manic energy, quirky humor, and a surprising capacity for dramatic depth.

Keaton began the decade with his breakout role as the high-energy, fast-talking Bill Blazejowski in the 1982 film Night Shift. This role, alongside Henry Winkler, showcased his improvisational skills and set the tone for his early career. He solidified his comedic stardom with the massive success of Mr. Mom (1983), in which he played a laid-off engineer who becomes a stay-at-home father. This film cemented his image as an affable, relatable everyman, a typecasting he would later actively try to break. Other notable 1980s comedies include Johnny Dangerously (1984), a gangster spoof, and Gung Ho (1986), which explored cultural clashes in a car manufacturing plant.

Below is a selection of 30 photos of a young Michael Keaton in the 1980s:

CUPS OF CHEER FROM THE BAND

IMAGINE the problem. The birthday boy has everything under the sun.

He’s world famous, he’s a millionaire, and he’s also a king-sized extrovert.

He also loves a joke like the next man.

He is rock superstar Freddie Mercury.

And the only guys who can hold a candle to him are his mates in Queen, Roger Taylor, John Deacon and Brian May.

Yesterday they presented him with a cake you probably wouldn’t see on display at the local bakery.

Her appearances ranged from striking magazine covers—such as Vogue’s November 1, 1951 issue shot by Clifford Coffin—to fashion editorials featuring designer pieces by Balenciaga, Adele Simpson, Traina-Norell, and Jo Copeland.

Janet Randy’s work beautifully embodies the grace, poise, and polished glamour of 1950s fashion. Take a look at these stunning photos to see the timeless beauty and elegance of Janet Randy in the 1950s.

“It was a fashion occasion,” Armani recalled. “GFT [the Italian clothing manufacturer] was opening a new showroom. I received an invitation from Andy to represent the fashion scene-and with several others, including [designer] Mariuccia Mandelli, I accepted. Andy stopped me in a corridor for 10 seconds and took a photo to work off of, and when the final portrait was bought by GFT, he made quite a lot of money! Andy Warhol was a genius at marketing himself. Marco Rivetti [the CEO of GFT] sent one of the portraits to me as a gift sometime later. It is now hanging in my office. Years ago, Andy Warhol and I spent an evening together visiting a variety of New York nightspots. Even though I didn’t speak any English, he wanted me to accompany him so that he could introduce me to the city’s night scene. I have very fond memories of my time with him.”

You can see what Andy saw: It’s Armani before the global empire, but already pure elegance: soft blazer, sharp cheekbones, that just-woke-up-and-designed-a-masterpiece energy. In an interview, Armani was asked what he thought his Warhol portraits captured. He responded, “I think that he wanted to portray me as an icon. That is what Warhol portraits do: They elevate the subject into an icon of the pop culture he was documenting. These days, as I am older and wiser, I realize that there is a danger in becoming an icon, as people can see you as remote and untouchable, and they are less willing to tolerate you doing things that don’t fit with their preconceived idea of you.”

Mangold studied at the Munich Academy of Fine Arts and later returned to Switzerland, where he built his career as a painter and printmaker. His poster work stood out for its bold use of color, simplified forms, and strong visual impact—qualities that made his designs both artistic and highly effective for advertising.

Aside from posters, Mangold also created murals, stained glass, and paintings, many of which drew inspiration from Swiss landscapes, folk traditions, and everyday life. His work contributed to the rise of graphic design as a respected art form in Switzerland, influencing later generations of artists.

Today, Burkhard Mangold’s posters are regarded as important examples of early 20th-century Swiss graphic design, celebrated for their timeless style and artistic innovation. Here is a collection of Burkhard Mangold’s remarkable works that showcase his pioneering role in Swiss poster art.