Underworld Turns
Twenty Questions with Michael Pollan
“How can I know what I think, until I see what I say?” (E. M. Forster). How much of your writing surprises you? Forster’s line rings true. Writing is a technology for thinking. I’m constantly amazed by how often I come up with new ideas in the process of constructing sentences. Writing is much more […]
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Slavery and abolition
As I was born in England almost seventy-five years ago, I may be a victim of romanticized school narratives of our “island story”. So I was surprised by three sentences in Pratinav Anil’s review of Nigel Biggar’s Reparations and The Big Payback by Lenny Henry and Marcus Ryder (January 23). To quote: “The abolition of […]
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Tube fare
Here’s a round number to celebrate: Poems on the Underground was launched forty years ago. “Up in the Morning Early” by Robert Burns, “Ozymandias” by Percy Bysshe Shelley, “This Is Just To Say” by William Carlos Williams, “The Railway Children” by Seamus Heaney and “Like a Beacon” by Grace Nichols: from February 1, 1986, this […]
Marvellous moondance
According to Kevin O’Hare, director of the Royal Ballet, the dance world is currently in a “lucky” period, with fewer rigid boundaries between genres. “It all kind of melds a little bit, but not in a bad way”, he says, speaking on a call from the Royal Opera House. “There don’t seem to be barriers […]
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The war has begun!
In an essay written in 1949, Jorge Luis Borges declared that the allegory was “an aesthetic error”. He confessed that his first impulse had been to write “nothing but an error of Aesthetics”, before realizing that the sentence itself contained an allegory. Literature, Borges believed, tends to correct itself, transforming the general into the individual, […]
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