by editor@creativeunderworld.com | Jul 3, 2026 | Culture Pop!
Lively was spotted hundreds of miles away from Madison Square Garden.
by editor@creativeunderworld.com | Jul 3, 2026 | Culture Pop!
Two powerful new works trace the way we grow up and draw closer — or come apart.
by editor@creativeunderworld.com | Jul 3, 2026 | Yesteryear
Joey Heatherton (born 1944) is an American actress, singer, and dancer who became a popular sex symbol and entertainer in the 1960s and ’70s.
With her striking blonde hair, long legs, and bubbly, energetic personality, Heatherton gained fame as a frequent guest on variety shows and for her roles in films such as Where Love Has Gone (1964) and My Blood Runs Cold (1965). She was known for her bold, flirtatious style and provocative dance routines, which made her a memorable figure on television.
Though her career had its ups and downs, she remains an iconic symbol of 1960s and 1970s American pop culture and youthful glamour. Take a look at these vintage photos to see the beauty of a young Joey Heatherton in the 1960s.
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by editor@creativeunderworld.com | Jul 3, 2026 | Yesteryear
Maria Landrock (1923–1992) was a German film and television actress, best known for her leading roles in German cinema during the early 1940s under the Ufa studio system and her later extensive career as a voice actress and dubber.
Maria Johanna Elisabeth Landrock was born on July 3, 1923, in Köpenick, Berlin, Germany. She trained for acting at a national acting school in Berlin and performed on stage in various Berlin theaters before transitioning to film.
Landrock made her film debut in Pedro soll hängen (released 1941, directed by Veit Harlan; filming began in 1939). She appeared in other productions during the war years, including Aufruhr im Damenstift (1941) and An Old Heart Becomes Young Again (1943). She was a brunette leading lady prominent in Ufa films during this period.
A dark and significant historical footnote in Landrock’s wartime career occurred on July 18, 1944. As part of the Reich’s troop entertainment initiatives, Landrock and her band served as the headlining guest stars for a concert organized specifically for the SS garrison members stationed at the Auschwitz Concentration and Death Camp, performing in the SS kitchen and canteen complex near the main Auschwitz I camp.
Following the collapse of the Nazi regime and the dismantling of the UFA studios, Landrock’s career shifted dramatically. Her opportunities for leading roles in post-war cinema dried up, leading her to successfully pivot to voice dubbing (Synchronsprecherin).
Throughout the mid-to-late 20th century, her expressive voice became highly recognizable to German audiences as she provided the German-language dubs for international icons like Sophia Loren, Eleanor Parker, and Eva Bartok. She eventually retired to Bavaria, passing away in Garmisch-Partenkirchen in 1992.
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by editor@creativeunderworld.com | Jul 3, 2026 | Yesteryear
The 1960s was a revolutionary decade for hairstyles, as women broke away from the structured, voluminous looks of the early decade and embraced freer, more expressive styles. These stunning fashion portraits capture the essence of groovy ’60s hairstyles: from long, straight hippie locks and feathered shag cuts to bold bouffants, geometric bobs, and playful curls.
Reflecting the influence of the counterculture, mod fashion, and the emerging youth movement, these images showcase how hair became a powerful form of self-expression and rebellion. Shot in stylish studio settings, these portraits perfectly embody the vibrant, carefree, and creative spirit of the Swinging Sixties.
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| Model’s ‘geisha’ coiffure by Kenneth Batelle, amazing canary diamond of almost 100 carats, brilliant and rare, by Van Cleef & Arpels, photo by Art Kane, Vogue, October 15, 1962 |
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| Monique Chevalier wearing the Cleopatra-craze make-up by Revlon, coiffure by Revlon Salon, brown and white beads by Richelieu, gloves by Meyers Make, photo by Irving Penn, Vogue, April 1, 1962 |
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| Anne de Zogheb, Shades-of-Youth hair color by Dorothy Gray, coiffure by Marc Sinclair, Vogue, April 1, 1963 |
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| Beautiful Tilly for Charles of the Ritz make-up collection called “Cultured Pearl”, coiffure by Mr. Thornton also of Charles of the Ritz, faux seed pearls by Trifari, photo by Bert Stern, Vogue US, March 1963 |
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| Celia Hammond’s haircolor is Color Foam by Du Barry, chocolate-colored gloves by Hansen, photo by Irving Penn, Vogue, June 1963 |
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