Vera-Ellen: The Radiant Dancing Star of Hollywood Musicals

Vera-Ellen (1921–1981) was an American actress, singer, and dancer who lit up the screen during Hollywood’s Golden Age of musicals.

Celebrated for her extraordinary dancing ability, long slender legs, radiant smile, and boundless energy, Vera-Ellen became one of the most gifted dancers in film history. She starred in several beloved MGM musicals, notably dancing opposite Fred Astaire in Three Little Words (1950) and The Belle of New York (1952), and delivered a memorable performance alongside Bing Crosby and Danny Kaye in the holiday classic White Christmas (1954).
Known for her technical precision, joyful stage presence, and wholesome charm, Vera-Ellen represented the pinnacle of 1950s musical film elegance and athletic grace. These beautiful vintage photos capture the infectious energy, graceful movement, and radiant charm of Vera-Ellen, one of the most talented and beloved dancers in the history of Hollywood musicals.

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Portraits of Teenage Priscilla Beaulieu (Later Known as Priscilla Presley) in West Germany From Between 1960 and 1962

Between 1960 and 1962, Priscilla Beaulieu lived a mostly long-distance relationship with Elvis Presley while navigating her teenage years in West Germany. After meeting Elvis in late 1959, this specific two-year period marked their transition from an in-person courtship to a highly anticipated reunion in America.

In March 1960, Elvis Presley completed his military service and left West Germany to return to the United States. At the time of his departure, 14-year-old Priscilla was still a student in Wiesbaden. Her style during this period was inherently youthful and natural. She wore her hair in its natural lighter brown shade, often tied back in a casual ponytail or cut with classic teenage bangs, wearing little to no makeup.
After Elvis left, Priscilla faced a period of relative isolation. Swarmed by reporters at school asking about her relationship, she was convinced the romance was over. However, communication continued through sporadic, late-night long-distance phone calls from Elvis.
After months of minimal contact, Elvis called Priscilla in early 1962 and invited her to visit him in Los Angeles during her summer break. This visit marked a massive turning point in her personal transformation. During this trip, Elvis began actively influencing her aesthetic, encouraging her to play up her features. Priscilla began experimenting with a bolder, more mature look, darkening her hair toward a richer, raven-black shade and teasing it into the early iterations of her signature voluminous, high-climbing 1960s bouffant.
She started leaning heavily into the “mod glam” era, introducing dramatic, flawlessly flicked black liquid cat-eye liner and thick false eyelashes that defined her striking, doll-like gaze. Elvis took her on a trip to Las Vegas, breaking the strict itinerary her parents had agreed to. To keep up with Elvis’s entirely nocturnal lifestyle, she was introduced to prescription sleeping pills and amphetamines.
By the end of 1962, following a subsequent visit to Graceland at Christmas, Priscilla’s parents finally agreed to let her permanently relocate to Memphis in early 1963 to finish her high school education at an all-girls Catholic school, setting the stage for her full-time immersion into Elvis’s world.

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Greta Plattry: The Elegant Soul of American Knitwear and Sportswear

Greta Plattry (1909–2006) was a German-American fashion designer known for her elegant yet practical sportswear and knitted separates during the 1940s and 1950s. Born in Berlin, she immigrated to the United States in 1937 and quickly established herself in the American fashion industry.

Plattry gained recognition for her innovative use of knitted fabrics, Tyrolean-inspired designs, and casual yet sophisticated resort wear. Her collections often featured hand-knitted sweaters, dresses, and coordinates that combined European refinement with American ease.
Though less famous today than contemporaries like Claire McCardell, Greta Plattry was highly regarded in her time for creating wearable, feminine clothing that appealed to modern, active women of the postwar era. These beautiful vintage photographs and fashion images showcase Greta Plattry’s refined taste, innovative knit designs, and lasting influence on American sportswear during the golden postwar era.
Janet Randy in white ribbed knit, wool cardigan sweater with robin’s egg blue, knit skirt by Greta Plattry, 1951

Mary Jane Russell wearing black, knit sweater with turquoise wool, poodle cloth skirt, both by Greta Plattry, photo by Clifford Coffin, Glamour, 1951

Suzy Parker in cork-colored suit of wool jersey with crossover blouse of deep cyclamen pink, skirt with taffeta lining to match the blouse by Greta Plattry, photo by Richard Rutledge, Vogue, January 1, 1952

Suzy Parker in evening dress of white silk organdie with Lurex gilt thread plaid worn with pink wool sweater by Greta Plattry, photo by Richard Rutledge, Vogue, January 1, 1952

MaryJane Russell wearing a paisley sweater and skirt by Greta Plattry, photo by Horst P. Horst, Vogue, August 1953

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